Monday, 14 December 2015
Monday, 7 December 2015
Binary Oppositions
Blog Task- Binary Opposition
Binary opposition of this clip:
Rich and Poor
High class and low class
Dominant opposition
immigrants
Economy
Binary opposition of this clip:
Rich and Poor
High class and low class
Dominant opposition
immigrants
Economy
The obvious binary opposition that is shown from this clip
is immagrants. This is because both Rusell and Nigel constantly debated about how
immigrants are changing the economy hugely. Nigel Firag, member of the UKIP,
and a member of the audiences gave input on the idea that immigrants seem to be
taking up most of the jobs leaving the British unemployed. However, Rusell then
counter argued Nigels point and replied that most of the money is kept by the
government and they're not "expressing it around". Another Binary opposition that i have picked
out from this clip is high class and low class. Rusell stated that the high
class are getting richer and the low class are getting more inferior.
Friday, 4 December 2015
cover work
Representations and the media - exhibits how the way in which something is identified with can change the way we see it with things, for instance, pictures and engravings for used to run with them. With this said photographic specialists, news and picture editors can be implied as "guardians."
The how, who and why of representation - this looks at how the producers of things in the media frequently have impact in how accurately things are deciphered within it. Things like the longings of the expected vested party, class codes and proposed story all add to how a representation can keep running over.
'The Female Gaze: Rethinking Representation' article regards how in publicizing, women are routinely portrayed as straight, white 'little waist' models. This commanding exertion is a noteworthy separation to the genuine typical size (Western) women tend to be and this focuses the theory of Laura Mulvey, in which women are presented for the benefit of men. The film that has begun a level headed discussion on self-observation and female representation is 'The Perfect 14.' It purposes of interest the trade in the matter of how women are appeared in media only for the spectatorship of male viewers.
The how, who and why of representation - this looks at how the producers of things in the media frequently have impact in how accurately things are deciphered within it. Things like the longings of the expected vested party, class codes and proposed story all add to how a representation can keep running over.
'The Female Gaze: Rethinking Representation' article regards how in publicizing, women are routinely portrayed as straight, white 'little waist' models. This commanding exertion is a noteworthy separation to the genuine typical size (Western) women tend to be and this focuses the theory of Laura Mulvey, in which women are presented for the benefit of men. The film that has begun a level headed discussion on self-observation and female representation is 'The Perfect 14.' It purposes of interest the trade in the matter of how women are appeared in media only for the spectatorship of male viewers.
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